Bloch was not aware who really bought the rights for the movie adaption, so Hitchcock could make a great deal. Essays for Psycho. The Horrifying Shower Scene in Alfred Hitchcock's Film, Psycho 1660 Words | 7 Pages. Post was not sent - check your email addresses! Psycho became Hitchcock’s most successful film at the time—its box-office take, $32 million, was the second best of 1960, after Spartacus. Try to watch the scene without the music and you can understand the genius of Herrmann’s approach. While this has made it ripe for critical analysis (as well as general readings of its ties with narrative, mise-en-scène, philosophy and psychology) any new thoughts and readings are now most likely to come from a comparison of the these readings. Psycho is by far the scariest movie I have EVER seen. A novel about personal obsession (whether drink or killing…. The main title music is a very tense and hurtling piece. Tenebrae – Dario Argento (1982) – Arrow DVD SteelBook. And the stupidest idea has ever been Gus Van Sant's "shot-by-shot" remake. The record was released on December 1, 1998 by Geffen Records. “Psycho” is a masterpiece in a lot of ways: It was the first slasher movie in history, it totally shocked the audience in a lot of ways, the shower murder scene holds the record as the movie music scene that is most discussed, and Bernard Herrmann’s score is considered as the ultimate score for a horror movie. Motifs, symbols and themes • Narrative structure • Sound (such as dialogue, sound editing, sound effects and foley, soundtrack and music or score, diegetic and non- diegetic, and so on) These are the elements suggested by IBO. Director Alfred Hitchcock's budget for Psycho was not very large, and Herrmann was forced to restrict himself to a relatively small instrumental ensemble. Because of the general ease with which Psycho can be take apart through various means of analysis, this is a given for most writing on the film even before narrowing the focus down to its sound and music. The material would have been used as the documentation of the case history. It's as if this movie was a first timid attempt at the creation of the contemporary horror film. The implication of Fenimore’s argument appears to be that the voices, both out of body in the soundtrack and the musical voices of the score, are what makes Psycho so psychologically effective and “thrilling” for audiences, both then and now. This can be seen heavily in the natural likenesses of the both piece’s conclusions though, as we’ll see, some aspects are not quite agreed on completely. ( Log Out /  ( Log Out /  For me, Universal was living film history. The plot itself is enough to scare a grown man, but then, Hitchcock adds his extreme camera angles, shadows, and music. Popular AMA APA (6th edition) APA (7th edition) Chicago (17th edition, author-date) Harvard IEEE ISO 690 MHRA (3rd edition) MLA (8th … The mass appeal that Psycho has maintained for over three decades can undoubtedly be attributed to its universality. These papers were written primarily by students and provide critical analysis of Psycho directed by Alfred Hitchcock. Janet Leigh denied this in an interview and said that Hitchcock was directing this scene, and there was no body double used. The sequel of Hitchcock’s movie “Psycho 2” is crap even it has some good scenes, I also think that Jerry Goldsmith’ score for that one is one of his weakest ever, and even Bloch’s own sequel “Psycho 2” is really a bad novel. 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